is known for distinctive color woodcuts. Using non-endangered wood and
brilliant color palettes, Conner creates conceptual woodcuts exposing the
intrinsic wood grain.
exhibits nationally and internationally. Woodcuts are included in over fifty
museum and corporate print collections in the U.S. and internationally: Museum
of Fine Arts, Boston; California Palace of the Legion of Honor, San Francisco;
Equitable Center, NY; Colorado Springs; Capital One Art Collection, Austin; Fidelity
Investments; State Department Art in Embassies; New York Public Library; Fogg
Art Museum, Harvard University; Library of Congress; List Visual Arts Center,
MIT; Credit Suisse First Boston, London; Federal Reserve Bank, Richmond; University
Health System, San Antonio; Ritz Carlton Hotels; and Neiman Marcus.
and announcements of Conner’s publications appear in Art In Print, Art On Paper,
New Art Examiner, Who's Who in American Art, and Who's Who of American Women. She
collaborates with Katherine Brimberry, Flatbed Press, Austin, TX, publisher of
her woodcuts; and Leslie Miller, Grenfell Press, NYC.
was born in Wilmington, NC, 1948. She received a BFA from Salem College,
Winston-Salem, NC; and MFA from University of North Carolina at Chapel Hill and
is Professor Emerita at University North Carolina Wilmington. She lives in
I want my paintings to speak for themselves. I look for a certain power and simplicity in my work, images that work at a gut level which also invite a wry, humorous look at life. I like to challenge bland emotions and poke fun at sacred cows.The roots of my work are in expressionism; my influences are from everywhere: a childhood in West Africa, French political posters of May 1968, Topolski’s sketchbooks, Munakata’s woodcuts. I also admire Chinese brush painting with its object of capturing a single Zen moment in a few simple brush strokes.My themes are grounded in everyday life, in my experience of life as a woman. As an artist I like to work within the traditions of art and history, at the same time to play with its icons and stretch its boundaries. My subjects are landscapes and people, animals and flowers, dancers and musicians, a celebration of life.Art for me is not only about life but a way of adding to it, exploring it. I think with my brush. I think about the marks I make. I want to blow fresh air into established ways of looking at life and constantly to redefine myself and my relationship to the traditions of art.
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe! This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!