I work in various media with a particular focus on printmaking and investigate mixing materials, the use of multiples, and drawing. I love the intended marks and layers of color and textures inherent in printmaking. Like the natural structures I use as subject matter, printmaking has a method and stages that are not always recognizable to the untrained eye. For me, the process has to build on itself to create the final image.Teaching is also very important to me, and I have been involved in arts education and public programming for 15 years. I have taught at the University of Nebraska-Lincoln, the Fullerton Museum Center in Orange County, and the City of Los Angeles, Department of Recreation and Parks. I am currently the Senior Curator of Public Engagement at the Craft & Folk Art Museum in Los Angeles.
Curtis Bartone's work explores how human beings perceive, define,
and mythologize wilderness and our fragmented view of our place in the environment.
His recent pieces combine various perceptions of the natural world, ranging
from non-objective, scientific views to Judeo-Christian ideas of mankind’s
dominion over “every living thing that moveth upon the earth” to “pagan” views
of natural occurrences as codes or messages to be deciphered. Bartone fuses
Renaissance painting, 17th-century Dutch still life, 19th-century scientific illustration, literature, and collections
in natural science museums, with a contemporary aesthetic informed by
photography and mass media. His work has been shown in 21 solo exhibitions and
in more than 80 group exhibitions in several countries. He has received
numerous grants and awards, including two Illinois Arts Council Grants, and has
been awarded several residencies--most recently, the Emmanuel College Artist
Residency in Boston for the summer of 2016. There, he will be creating a suite
of etchings based on the ten plagues of Egypt. Currently, Mr. Bartone resides
in Savannah, Georgia with his wife and seven cats. He splits his time between
making prints and teaching printmaking at the Savannah College of Art and
Join us February 1st, 2020 from 1PM-3PM For or a Gallery Walk through with participating artists followed by a Panel Discussion on "Migration and Art” with Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala
Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.
The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe! This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!