Vinita Voogd

Vinita Voogd

www.vinitavoogd.com
In creating my collagraph prints, I utilize experiences available to me with a diverse array of materials and techniques to create a visual feast. 

I draw inspiration from the beauty of the Pacific, the rolling vineyards of France, the patches of tulip farms in Holland, from the intensity and colors of India, and the urban and suburban landscapes of California. These impressions are combined on my inked plates with handmade papers collected from Japan, France, India, Nepal and Thailand. I cut, scratch, adhere, mold and manipulate materials onto my plates without conventional limitations. 

By producing prints using everyday mundane materials, I am placing my work in an entirely new context, with the goal of challenging and changing the viewer’s perceptions. In an age of extremes, wealth and poverty, peace and discord, technology and ecology, my art strives for a universal landscape of harmony, blending cultural decorative motifs, color, texture and pattern.

The content of my work is inspired by the relevance of cross cultural and historical story and myth and how it is relevant in today’s world. I’m interested in how we rely on these stories to make sense of our lives and the light in which we view the world’s problems. As I research elements that find their way into my work what holds my interest is how they are timeless ideas that are also universal. I aspire to push the boundaries of my medium. Woodcut is a constant element in my work, as I love the carving, feel and expressive quality of the wood. It is a connection to the earth and to the history of communication. Each new block carries forth from the blocks before but something new is added to the story, marking my woodblock figures in the way we tattoo our bodies.
I am continually exploring the ephemeral nature of movement, integrating performance concepts into my visual art. The art I create is imbued with a sense of movement - lines, form and color travel through space trailing an invisible wake behind. My work is often not fixed in place, which creates a John Cage quality of possibilities. Chance and change are possible. Work can often be configured in different ways - picked up and moved as though it were a performance that was evolving for a specific site.
Cynthia Back is a printmaker and painter who has exhibited widely including solo exhibitions at Washington Printmakers Gallery, Washington, D.C. in 2017 and 2016, Fleisher Art Memorial, Philadelphia, PA in 2015, Pennswood Art Gallery, Newtown, PA in 2014, Galerie Pascal, Suchitoto, El Salvador in 2012, the Fireside Gallery, Main Line Unitarian Church, Devon, PA, in 2011 and at Abington Art Center, Abington, PA in 2010.Ms. Back is the recipient of numerous awards and honors including grants from the Ludwig Vogelstein Foundation in 2009 and 2005, Puffin Foundation in 2003, Pollock-Krasner Foundation in 1996; residencies to The Nordic Artists’ Centre Dale, Norway in 2016, Women’s Studio Workshop in 2014, Blue Mountain Center in 2013, Acadia National Park in 2009; and fellowships to The Ballinglen Arts Foundation Ltd., Co. Mayo, Ireland in 1997 and 1999, Fundacion Valparaiso, Spain in 2000, Helene Wurlitzer Foundation in 2000, The Cill Rialaig Project, Co. Kerry, Ireland in 1999, and The MacDowell Colony in 1994. Her work is included in numerous private and corporate collections, including The Library of Congress, Washington, D.C., the New York Public Library, the Newark Public Library, Newark, New Jersey, the Free Library of Philadelphia, and The New-York Historical Society.
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ImMigration Project_Venice
Jan. 11, 2020

ImMigration Project at Self Help Graphics

Saturday, January 11th to February 22nd, 2020

Opening Reception, January 11th, 7PM - 9PM

Join us February 1st, 2020 from 1PM-3PM
For or a Gallery Walk through with participating artists followed by a
Panel Discussion on "Migration and Art”  with

Pavel Acevedo, Marianne Sadowski and Phumilelele Tshabalala

Included in this exhibition is a special preview of PAPER BOATS, a small flotilla will be on view in preparation for LA Printmaking on view at SGCI 2020 in San Juan, Puerto Rico, April 1-4, 2020.


The ImMigration Project, back from an exciting installation in Venice Italy, in October 2019 currently comprises 145 artists from all over North America and Europe!
This unique collaborative art project will continue to grow and travel. Help us find the next venues! And stay posted on all the news when you follow the ImMigration project on Facebook and Instagram!

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