Image galleries
Jennifer D. Anderson
If being a human, means our identity is composed of a layering of stories, those we retell about ourselves and those we overtime ascribe importance and value to, my work deals with those stories that often go untold or forgotten; the stories of the physical body.
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Artist Website Back to Artist Index![Serigraph, Ed. of 2, Fabriano Artistico, 30"x 22", 2007](http://www.laprintmakers.com/site/files/images/Applewhite_Woman, Serigraph, Ed. of 2, Fabriano Artistico, 30"x 22", 2007.thumbnail.jpg "Serigraph, Ed. of 2, Fabriano Artistico, 30"x 22", 2007")
Andis Applewhite
My art explores the relational, emotional and psychic aspects of human nature and reflects our conflicts with the tensions and energies that shape our lives.
Back to Artist Index![archival digital print, 11"x 8 1/2", 2006](http://www.laprintmakers.com/site/files/images/image_3.thumbnail.jpg "archival digital print, 11"x 8 1/2", 2006")
Barbara L. Bachner
One Month / One Lifetime Later
These works are meditations on the persistence of memory and on the celestial, transporting quality of the color blue. They are embodiments of the state of mind that remembering can elicit and they relate to the fragile/ironbound ties that connect us one to the other. Dispersion is always balanced by an invisible web of connection that transcends distance. Back to Artist Index
Janet Best Badger
I have been an artist since I could first hold a pencil, and a printmaker since my first etching course. I have hauled my etching press from state to state, and across the Atlantic to the Caribbean. I continued my work while in Moscow, Russia. I am fascinated with faces, figures, and the endless possibilities of printmaking.
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Barbara Brainard
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Bill Brody
Each summer I go deep into the wilderness of Alaska's mountains to paint. I spend my time chasing light and dancing shadow, trying to capture the dynamic richness of this spare and wonderful northern landscape. Working in the endless light of the arctic summer is my wellspring; it grounds me for the flights of introspection that occupy me in the studio during the majority of the year when it is too cold to paint outside.
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Lindsay Buchman
For the past year I have been studying printmaking and plan to major in it with a BFA. I enjoy all mediums of printmaking however, I prefer lino-cuts the most. Eventually I hope to obtain a MFA in printmaking and teach at the college level.
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Kristin Casaletto
Casaletto’s work incorporates printmaking, drawing, and sometimes painting, video, and sound. She’s been awarded numerous grants and artist residencies and has exhibited widely across the United States as well as in Italy and Australia. She is currently Associate Professor of Art at Augusta State University and heads its printmaking area.
Back to Artist Index![](http://www.laprintmakers.com/site/files/images/You Look Good to Me, lino-cut, 18x24".thumbnail.jpg)
Ann Chernow
My work is based on specific impressions related to movies from the 1930's and 1940's. These impressions refer to actual films, studio publicity, fan magazines and other memorabilia. I use film characters and then freely reinterpret. In blending past and present images, I try to create a sense of deja vu or nostaglia.
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Sung Ho Choe
I always draw landscapes. The landscapes that I have seen, the feelings that I feel, the memories that are passed away.
Love, joy, sorrow, friends, family, faith... Sometimes, all these turn into shapes. And sometimes, hundreds of after images overlap over and over.
So the shapes become hidden. And only afterimages of lines and planes remain. Back to Artist Index
Judy Dekel
I majored in all aspects of Fine Art Printmaking, Photography, Art History and Art Education. In recent years I developed a great interest in working in the Monotype and Monoprint media. This allows me the possibility of combining all of my Printmaking and Photography experiences into a new and expressive form of art making that is quite satisfying and exciting.
I am forever challenging myself with new ideas and images which I find all around me. Back to Artist Index
Mollie Doctrow
Native habitats, plants, animals, insects, and rocks that are unique to a particular place are the subject of my artwork. Native habitats are often home to endangered and threatened species. Increasingly, my work focuses on these sensitive places. Recent work from art residencies at Big Cypress National Preserve and Everglades National Park explore the swampy jungle places and exotic plants of these unique environments.
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Chris Dovey
One of the things I love is the woman's figure. I did a little ballerina, Carmen Electra in the shower pose in Playboy and a mermaid for my love of the sea. I focus on making the female form more interesting to the eye. I am Autistic and have some paranoid schizophrenia. I've had this all my life. I fight depression. My woodcuts are one of the things that got me out of the hospital.
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Myrna Dwyer
The many techniques of printmaking allow me to express my interest in nature, color, and drawing. What I love is the agonizing fun of striving for a planned result when I know I will always get something mysterious and unpredictable and based partly on chance in spite of what I intended. The new image frequently leads to something even better. I am inspired by the colors and shapes of the succulents in my cousin Barbara's Malibu garden and the pistachio green eyes of my beautiful cat, Sebastian.
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Matthew Egan
I seek methods of generating ‘drawings’ to serve as the source of the illustrative print that are motivated by a fictitious author named James O’Ganolley. The concept of the “Book Pages” of James O’Ganolley is to investigate metaphorical qualities of historical events comparative to our struggles with globalized culture.
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Linda Fillhardt
My art expresses the essence of desert objects, accenting the work with the spiked lines of a cactus or perhaps the spiraling chaos of a tumbleweed. Layered behind these representations of desert vegetation are patchwork designs of simple shapes –- squares, wide strips, and lines—that call to mind the traditional weaving inspired by the deserts of North America.
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Artist Website Back to Artist Index Photogravure, Aquatint. 24x1.thumbnail.jpg "Bayon Cambodia II, 2007, Photogravure, Aquatint, 24"x18"<br />")
Jenny Freestone
Natural and architectural forms are my primary source material, and I use these as a means of exploring human endeavour and its impact on the environment. I work in etching, drypoint, lithography, direct gravure and photogravure, all of which give me great leeway to explore the graphic mark. My work is in many national and international collections.
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Eric Goldberg
I am a painter/printmaker who has always been fascinated by the transitory nature of things and events and/or objects come together but for a moment before they change to something else. My paintings and prints always contain this element of "time" expressed through one artistic vehicle or another. I think of my work as visual poetry. And like a poem, I want each piece to be complex enough that its secrets are slowly revealed. And yet, simple enough to be one thought.
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Yeung Ha
My art and imagery reflect my long running interest in aerial views and maps of earth. In my current series of prints, “Earthworks”, I incorporate abstract images of the natural world, such as water, rocks, mountains, and clouds. The map-like imagery uses lines and markings to suggest both ambiguity and opportunity on the routes of our personal journeys.
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Dirk Hagner
Dirk was born, raised, and educated in Germany, where he studied drawing, printmaking, photography, and painting at the Folkwang School of Fine Arts. He graduated with a masters degree and since the early 1980s has lived in the United States.
In his art, old and new techniques and ideas compliment each other.Contact Artist
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Stephen Henry
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Martine Heraud
I mainly explore issues of representations of the female body in our modern society and codings of closure and disclosure. Fragmentation of the female body, as a direct result of mis-representation through the media, is at the core of my pre-conditions, as well as how the constant visual and social pressure provides a fertile ground for the development of neurosis and a strong feeling of alienation amongst women of all ages.
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Fred Holle
I ‘m a figural artist of “Romantic” persuasion. I ‘m also a draughtsman-painter in that drawing is the genesis of all of my work. I constantly draw from models, partly for the great pleasure it affords but, primarily, to maintain perceptual sensitivity and to obtain fresh data to fill a reservoir of images that may be tapped, when needed, for my paintings and prints.
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Ellen Jantzen
Digital imagery can lead us astray; it can entice us into an uncanny realm. Using light, it allows us to see through the screen of reality to another reality beyond. Often my “beings” seem to levitate between two realities, bridging and separating at the same time. The stories I tell through my work are truthful or fictitious as need be as I search for the unique and the personal.
In this series I am engaging the human figure directly while allowing an enigmatic otherness to manifest itself. I am exploring the strange and complicated nature of being human in a natural world. While creating this work, I engaged metaphor and symbolism to suggest a story that is to be completed by the viewer.Artist Contact
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Zoltan Janvary
I grew up in 20th century Hungary. Our political leaders were in fear of new art movements, so that there was nothing available but the teaching and studying of classical art. It is the challenge of this tension between the well known and that which must be discovered that provides me with the greatest joy in both teaching and in my own private practice.
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Evelyn Klein
“Remove the veil, reveal thyself, and the mystery will unfold”
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Philip Laber
I examine cultures for truths and values worth living by. My works include mythic symbols, sacrificial creatures and abstract forms that allude to an essence of being that range from rhythms of agreement to injuries from discord, respectively, the result of cultures moving together in peace or apart in conflict.
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Tony Lazorko
Technically, these prints are an attempt to push wood as far as I can in defining a visual idea, in plastic terms.
The content side is about defining a common facet of American life. Back to Artist Index
Ruth Leaf
Although I have a definite idea about what the work I am engaged means to me. I expect people to have their own feelings about what they see. In 2006 and 2007 I was fascinated by the Hubble Space Photographs. The photos gave me the vision of the universe that allowed me to interpret and play with the shapes and the colors.
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Carolyn Liesy
My work is generally abstract. I use text and language, like Japanese Death Haiku, as part of my compositions. Mostly I do etchings and some collographs. Sometimes I experiment by adding digital elements. I think my work is categorized as conceptual. I am interested in the soul and deeper spiritual meaning, things beyond ordinary reality.
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Ann Lindbeck
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Betty Ann MacDonald
Often, my etchings and monotypes take the viewer on a journey into twilight worlds of the imagination. Whether the vehicle is an inventive creature or a human depiction, there is a sustaining energy, a strength and pathos in that being’s odyssey. Some of these works express a state of mind, an emotional evolution, a wish or a fulfillment.
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Valerie Magee
Intersections: Over how many centuries have these roads been traveled- by what means, by how many peoples, for what purposes? What languages were spoken? Were these the ruins of cities once flourishing and now collapsed, whose roads had been named and re-named in honor of each succeeding conqueror?
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Susan Makov
I have been working on letterpress print collaborations since 1985 as part of Green Cat Press. The following authors and visual artists produced original works for broadsides and books: Rudolfo Anaya, Gus Arriola, Margaret Atwood, Brian Aldiss, Greg Keeler, Ray Bradbury, Charles Simic, William T. Wiley, Lewis Nordan, Roddy Doyle, Cees Nooteboom, Terry Tempest Williams, Tony Hillerman, MFK Fisher, Joy Harjo, Marshall Arisman, Chuck Bowden, Diane Ackerman, Wendell Berry, Alan Cheuse, Peter Sís, David James Duncan.
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Gerald Marcus
Many of my landscape etchings are drawn outdoors, directly from the motif. If necessary, they are worked up in the studio in successive states. I try to combine the spontaneity of drawing with the strength of a carefully conceived composition. In most cases, I use only etched lines or drypoint and occasionally, aquatint.
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Rachelle Mark
My artwork is involved with the act of mark-making and how the mark in its abstract nature is able to communicate an image and transcend beyond to suggest themes both tangible and intangible.
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Enrica Marshall
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Kathryn Maxwell
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Diane McLeod
My art is abstract and semi-figurative. I respond intuitively to my subconscious, and to the natural world. I enjoy complexity and repetitious lines, movement, implied meaning, and layering.
I work from different printmaking surfaces. My goal is to keep alive spontaneity and the original intuitive impulse. At times, the unexpected results speak of dimensions beyond my original intent.Artist Resume
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Eve Mero
Although expressionistic painting is what I most like to do, printmaking takes up most of my creative time. The lure is inescapable: with printmaking, you can tame the wild beast. While the body feels that it has the true knowledge, the mind always has something to say back.
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Judith Miller
There is always a visual “code” in a print or painting, realistic or abstract: color, line, shape, texture, movement, and other art fundamentals are all used intentionally to imply or provoke meanings, feelings, and other responses.
For years I have wanted to use enigmatic codes in my work.Artist Contact
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Sharon Augusta Mitchell
I have regularly moved between natural studies and the pursuit of narrative images that convey a sense of theater, emphasize the drama and enigma inherent in natural forms, and produce encounters with the dramatic, the bizarre and the humorous.
In the recent years, I have worked largely in the print media using traditional techniques such as mezzotint, etching and stone lithography. At times, I use combinations of these in conjunction with elements of other mixed media approaches. Back to Artist Index
Susanne A. Mitchell
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Thomas D. Nawrocki
The “ZIG ZAG ZIG” prints are a continuing series of digital impressions produced in editions of three each. The images were conceived as bas-relief sculptural, studio- based collages. Every composition reveals, by its unique strength, how it would resolve itself as it follows the tendencies of its internal forces. I continue to add and subtract material to the still life in exploring preliminary proofs. I am interpreting nature in its purest, abstract state - constructing a rhythm of pictorial lyricism using objects impregnated with fluorescent pigments.
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Kelly Nelson
Kelly Nelson is faculty at Longwood University. Her work is shown nationally and internationally to include competitive exhibitions at Dundarave Print Workshop, (Canada), Limerick Printmakers, (Ireland), Lahti Art Museum, (Finland), and Lessandra Gallery, (United Arab Emerites). She completed a summer lithography workshop at Tamarind Institute (University of New Mexico).
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Marilyn Nelson
I assemble photographs and drawings through digital techniques; then they are disassembled
for the screen printing process. The confluence of computer technologies with serigraphy provides a contrast between digital and analog media. The physical working process is important to me; I hand pull all of my prints. My meticulous attention to craftsmanship is an integral part of the content of each print. Back to Artist Index
Candace Nicol
Statement for Social Utterances
In this body of work, I am acting as a visual interrogator--appropriating photographs from the everyday, and through printmaking and collage, re-interpreting those images by juxtaposing them with bits of visual culture taken from the internet. The resulting narrative hints at disruptions in the social norm, especially bringing attention to gendered exchanges. Back to Artist Index
Julie Niskanen
Through using mezzotint and various etching techniques, I reflect on and bring forth the rhythms and beauties of nature that are often unnoticed in our lives. The natural forms I work with address the issue of human disregard and elucidate the beauty I find within these natural forms.
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Peta Orbach
Painter Printmaker British Artist living in Los Angeles since 1991
Back to Artist Index![etching, 24"x18", $200.](http://www.laprintmakers.com/site/files/images/AOwens-entry4.thumbnail.jpg "etching, 24"x18", $200.")
Annette Owens
Annette Owens is a mixed-media artist whose work focuses on creation and destruction, time, chance and change, impermanence, indeterminacy-- the ordinary. Her medium is primarily printmaking, collage, and assemblage. Images are created by manipulating, juxtaposing, blurring and layering information from eclectic sources, collected in an ongoing archive, such as appropriated text, graphics and textures. Imagery is in a constant state of flux and transformation, thus capturing the paradox of modern urban life.
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Patricia Theobald Payne
My art is a visual response to my own life experiences as a woman, mother, and member of the human race. While I am attracted to realism, my images are often allegorical, rather than literal. I am interested in nature and life’s natural cycles, such as the seasons or stages of life. Each image evolves as I find a symbolic or visual language to convey an emotion, or idea
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Lisa Quagliozzi
For me the true nature of art is an activity or the actual making of something. I am only interested in the spontaneous moment, an inner reflection, or being free in the moment and having an honest connection with the subject or a central motif. At first, such is a figure, place or image. Only with this freedom can such an activity happen and can we really connect with our subject. This Zen-like awareness is then coupled with an even heightened awareness of materials involving us with an evolution or process, or event. This is true creativity. Making art happen thus becomes an outcome, not just a result, and this is inherent in all of us.
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Irena Raulinaitis
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Sara Rosenbluth
My prints are small and in a series. I use many of them them in my artist’s books. (See www.sandiegobookarts.org) “On the Ball” is a series of twelve prints I made into a book. Numbers 1, 5 and 6 are part of another series.
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Rodolfo Salgado
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Masha Schweitzer
The artwork should speak for itself, its meaning revealed visually to the viewer.
My motivation comes from direct visual experience, memory, dreams or nightmares reflecting aspects of the human condition. I love color, and also the richness and possibilities of tonality while working in black and white. Back to Artist Index
Lis J. Schwitters
This body of work explores humanistic themes with mirrored repetition inspired by the kaleidoscope. These images reflecting Backwards & Forwards are placed in the context of life’s experiences, Past & Future, as separate entities and then viewed as a whole unit. These essential elements are mere pages of chapters in our life’s book, which can then be interpreted in choices humans have & make, possessing the power to control our own destiny
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Amaryllis Siniossoglou
Born in Athens Greece. Studied Drawing and Painting in Athens, Greece, Sculpture at the Ecole Nationale Superieure des Beaux Arts in Paris and received the MFA in Sculpture and Printmaking at the University of Massachusetts, Amherst. She teaches at Worcester State College and at the University of Massachusetts-Amherst. Her work is included in permanent collections and she actively shows nationally and internationally.
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Julie Brown Smith
My work is about people in urban environments. What we do in everyday situations, and what goes on around us unnoticed as we go through our lives as observers and as the observed, sometimes aware and often oblivious. The work is a way of looking inside the cities and at the people who inhabit them. I try to capture the essence of private moments in public spaces that are familiar to us all.
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Sherry Bell Smith
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Kay Snodgrass
I began drawing before I could read, perhaps because my mother allowed me to color and draw on the walls of our house, before I went to school. The act of drawing has always been very fulfilling for me. It is an experience both joyous as well as tormenting, but, like a personal dialogue, always keeps me company. Drawing is the skeleton for whatever I create. Printmaking has allowed me to stretch my passion for drawing by forcing me first to create the “tool” which eventually creates the mark, which finally produces the print.
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Zolita Sverdlove
Printmaking has been a passion of mine since I took my first course in etching at Cooper Union Art School with Will Barnet in the 1950s. I have a substantial body of intaglio and monotype art works. Most recently, I have been working on linocuts.
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Caroline M. Thorington
Thorington makes prints and works on paper. Her primary medium is lithography. Her prints and drawings have been exhibited in Europe, Asia, and both Americas. Her work is in numerous collections including the Library of Congress, the Philadelphia Museum of Art, and the National Museum of Fine Arts, Hanoi, Viet Nam.
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Susan Trubow
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Anne Van Oppen
For as long as I can remember nature has been a primary interest of mine. I was fortunate to grow up in a place where hillsides were open and available. For nearly as long, I have been drawing and painting. Printmaking has captured my complete attention. I find it a wonderful way to capture the natural things that attract me and fix them in an artistic medium.
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Cathy Weiss
My paintings, boxes and woodcut prints depict personal and historic images of the human experience. Nature, the human spirit and our connections to others, both ancestral and interpersonal, are what inspire me.
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Idaherma Williams
"The Hercules myth is the story of a man who is also a soul facing the labors that will awaken the highest within him...each labor relates to one of the signs of the zodiac."
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